Musik ist kein Lebewesen. Aber sie kann erscheinen, als sei sie lebendig. Wer so spricht, verwendet den Begriff des Lebens als \u00e4sthetische Kategorie. Lebendigkeit bezeichnet dann eine besondere Erfahrungsqualit\u00e4t musikalischer Darbietungen. Diese Kategorie des Lebens geh\u00f6rt zu den Kernthemen der idealistischen Musik\u00e4sthetik: Gelungene Werke erscheinen ihr als lebendige Organismen. Der j\u00fcngeren Musik wurde dieses Ideal des Organismus aus unterschiedlichen Gr\u00fcnden zum Problem, nicht zuletzt weil die elektronische Musik auf die B\u00fchnenpr\u00e4senz lebendiger Subjekte verzichten kann. Die musikalische Kategorie des Lebens nimmt in der Gegenwart daher neue Formen an.
\nIm Vortrag sollen drei solcher Formen diskutiert werden: die elektroakustische Inszenierung von Liveness (Steven Takasugi), das Formmodell des organischen Wucherns (Pierluigi Billone) und das Kompositionsprinzip des kontrollierten Exzesses (Saturationismus).<\/p>\n
Christoph Haffter<\/a> ist wissenschaftlicher Mitarbeiter an der\u00a0Forschungsstelle Musikphilosophie<\/a> der Universit\u00e4t Basel.<\/p>\n Der Vortrag ist Teil der neuen Reihe Vortr\u00e4ge zur Musikphilosophie<\/em>, organisiert vom Insititut f\u00fcr Musikwissenschaft und Interpretationsforschung der mdw \u2013 Universit\u00e4t f\u00fcr Musik und darstellende Kunst Wien.<\/p>","excerpt":"","slug":"gastvortrag-christoph-haffter-liveness-organisches-und-exzess","image":false,"all_day":false,"start_date":"2024-11-28 18:00:00","start_date_details":{"year":"2024","month":"11","day":"28","hour":"18","minutes":"00","seconds":"00"},"end_date":"2024-11-28 19:30:00","end_date_details":{"year":"2024","month":"11","day":"28","hour":"19","minutes":"30","seconds":"00"},"utc_start_date":"2024-11-28 18:00:00","utc_start_date_details":{"year":"2024","month":"11","day":"28","hour":"18","minutes":"00","seconds":"00"},"utc_end_date":"2024-11-28 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