{"id":1439,"date":"2024-09-28T17:35:52","date_gmt":"2024-09-28T17:35:52","guid":{"rendered":"https:\/\/oegmw.at\/?page_id=1439"},"modified":"2025-11-12T11:18:37","modified_gmt":"2025-11-12T10:18:37","slug":"anklang-1-2023","status":"publish","type":"page","link":"https:\/\/oegmw.at\/en\/junge-musikwissenschaft\/anklang\/anklang-1-2023","title":{"rendered":"AN:klang 1 (2023)"},"content":{"rendered":"<p>hg. von Paul Heidegger, Stefanie Liang, Valeska Maria M\u00fcller und Thomas Wozonig<\/p>\n\n\n\n<p>\ud83d\udcd6 <a href=\"https:\/\/oegmw.at\/wp-content\/uploads\/2023\/12\/AN.klang-1-2023.pdf\"><strong>Gesamte Ausgabe herunterladen (PDF)<\/strong><\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Inhalt<\/h2>\n\n\n\n<p>\ud83e\uddfe <a href=\"https:\/\/oegmw.at\/wp-content\/uploads\/2024\/09\/AN.klang-1-2023_3-5_Editorial.pdf\">Editorial (S. 3\u20135)<\/a><br>Paul Heidegger, Stefanie Liang, Valeska Maria M\u00fcller, Thomas Wozonig<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Praxis\u2022Forschung<\/h4>\n\n\n\n<p>\ud83e\uddfe <a href=\"https:\/\/oegmw.at\/wp-content\/uploads\/2024\/09\/AN.klang-1-2023_6_Kokorz.pdf\">R\u00fcckblick in die Zukunft (S. 6)<\/a><br>Gregor Kokorz<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Aufs\u00e4tze<\/h4>\n\n\n\n<p>\ud83e\uddfe<a href=\"https:\/\/oegmw.at\/wp-content\/uploads\/2024\/09\/AN.klang-1-2023_8-18_Sijaric.pdf\">&#8222;This is the Most God-awful Piece of Crap I&#8217;ve Ever Seen!&#8220; Setting the Tone of &#8218;Serious&#8216; Classical and Contemporary Music in Adult Animation using the Example of South Park (S. 8\u201318)<\/a><br>Timur Sijaric<\/p>\n\n\n\n<p>\ud83e\uddfe <a href=\"https:\/\/oegmw.at\/wp-content\/uploads\/2024\/09\/AN.klang-1-2023_19-34_Picej.pdf\">Die Konzertsonatenform im Kopfsatz des Klavierkonzerts in c-Moll KV 491 von W. A. Mozart (S. 19\u201334)<\/a><br>Cornelia Picej<\/p>\n\n\n\n<p>\ud83e\uddfe <a href=\"https:\/\/oegmw.at\/wp-content\/uploads\/2024\/09\/AN.klang-1-2023_35-45_Serrano.pdf\">Izumis Rond\u00f2 in Salvatore Sciarrinos Da gelo a gelo (S. 35\u201345)<\/a><br>Daniel Serrano<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Essays<\/h4>\n\n\n\n<p>\ud83e\uddfe <a href=\"https:\/\/oegmw.at\/wp-content\/uploads\/2024\/09\/AN.klang-1-2023_47-52_Luckenbach.pdf\">Wieso sitzt ihr heute anders? \u00dcber die Entstehung und Verwendung verschiedener Orchesteraufstellungen (S. 47\u201352)<\/a><br>Laura Kristin Luckenbach<\/p>\n\n\n\n<p>\ud83e\uddfe <a href=\"https:\/\/oegmw.at\/wp-content\/uploads\/2024\/09\/AN.klang-1-2023_53-59_Heidegger.pdf\">Wie klingt die \u201aWahrheit\u2018? Musik als B\u00fchne und Medium des parrhesiastischen Spiels.  Eine musikphilosophische Spurensuche (S. 53\u201359)<\/a><br>Paul Heidegger<\/p>\n\n\n\n<p>\ud83e\uddfe <a href=\"https:\/\/oegmw.at\/wp-content\/uploads\/2024\/09\/AN.klang-1-2023_60-66_Mueller.pdf\">Die Kunst der Taiko. Inklusive eines Interviews mit Yuta Kimura (S. 60\u201366)<\/a><br>Valeska Maria M\u00fcller<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Berichte<\/h4>\n\n\n\n<p>\ud83e\uddfe <a href=\"https:\/\/oegmw.at\/wp-content\/uploads\/2024\/09\/AN.klang-1-2023_68-70_Michel.pdf\">Sexualit\u00e4t und Gender in Schuberts Zeit. Erfahrungsbericht zur Summer School der \u00d6AW in Wien, 5.\u20137. September 2022 (S. 68\u201370)<\/a><br>Moritz Michel<\/p>\n\n\n\n<p>\ud83e\uddfe <a href=\"https:\/\/oegmw.at\/wp-content\/uploads\/2024\/09\/AN.klang-1-2023_71-74_Liang.pdf\">\u201eWir d\u00fcrfen niemals vergessen.\u201c Mieczys\u0142aw Weinbergs Die Passagierin in der Oper Graz 2021\/22 (S. 71\u201374)<\/a><br>Stefanie Liang<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Autor:innen<\/h4>\n\n\n\n<p>\ud83e\uddfe<a href=\"https:\/\/oegmw.at\/wp-content\/uploads\/2024\/09\/AN.klang-1-2023_76-77_Autor.innen_.pdf\">Kurzbiographien (S. 76\u201377)<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>hg. von Paul Heidegger, Stefanie Liang, Valeska Maria M\u00fcller und Thomas Wozonig \ud83d\udcd6 Gesamte Ausgabe herunterladen (PDF) Inhalt \ud83e\uddfe Editorial (S. 3\u20135)Paul Heidegger, Stefanie Liang, Valeska Maria M\u00fcller, Thomas Wozonig [&hellip;]<\/p>\n","protected":false},"author":31,"featured_media":0,"parent":308,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-1439","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/pages\/1439","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/users\/31"}],"replies":[{"embeddable":true,"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/comments?post=1439"}],"version-history":[{"count":2,"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/pages\/1439\/revisions"}],"predecessor-version":[{"id":1456,"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/pages\/1439\/revisions\/1456"}],"up":[{"embeddable":true,"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/pages\/308"}],"wp:attachment":[{"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/media?parent=1439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}