{"id":1458,"date":"2024-09-28T18:26:30","date_gmt":"2024-09-28T18:26:30","guid":{"rendered":"https:\/\/oegmw.at\/?page_id=1458"},"modified":"2024-10-16T17:53:49","modified_gmt":"2024-10-16T17:53:49","slug":"sym-2024","status":"publish","type":"page","link":"https:\/\/oegmw.at\/en\/junge-musikwissenschaft\/nachwuchssymposium\/sym-2024","title":{"rendered":"Symposium der Jungen Musikwissenschaft 2024"},"content":{"rendered":"

18. Oktober 2024, Universit\u00e4t Mozarteum Salzburg

im Rahmen der \u00d6GMw-Jahrestagung 2024
„Demokratie \u2013 Materialisierung in und durch Musik“
17.\u201319. Oktober 2024, Universit\u00e4t Mozarteum Salzburg
Programm<\/a> (Junge Musikwissenschaft auf S. 16\u201324)
Link zur Tagungswebsite<\/a><\/p>\n\n\n\n

Session 1 (14:00\u201315:30)<\/h4>\n\n\n\n

Chair: Sarah Haslinger (Universit\u00e4t Mozarteum)<\/p>\n\n\n\n

\ud83d\udde3\ufe0f Hermann Scherchen als Interpret der Symphonien Gustav Mahlers
Dimitrios Katharopoulos (Graz)<\/p>\n\n\n\n

\ud83d\udde3\ufe0f Dance and Defiance: Ukrainian Rave Tolokas as Symbols of Democratic Resilience
Emma Schrott (Wien)<\/p>\n\n\n\n

\ud83d\udde3\ufe0f Der Einfluss der akustischen Umgebung auf wahrgenommene Arbeitsbedingungen von Lehrenden
Sarah Ambros (Wien)<\/p>\n\n\n\n

Session 2 (15:45\u201317:15)<\/h4>\n\n\n\n

Chair: Pavle Krsti\u0107 (Universit\u00e4t Mozarteum)<\/p>\n\n\n\n

\ud83d\udde3\ufe0f A New Founding Myth? \u2013 The Construction of the USA and US-American Identities in \u201eHamilton: An American Musical\u201c
Angelika Steger (Salzburg)<\/p>\n\n\n\n

\ud83d\udde3\ufe0f Hanyangmen Garden: Nostalgia and solace in dialectal folk song during Covid-19
Yangke Li (Berlin)<\/p>\n\n\n\n

\ud83d\udde3\ufe0f Reapproaching Bass Violin Characterization: A First-Stage Analysis of Bowed Bass Descriptions of the 17th and 18th Centuries
Erin Lupardus (Linz)<\/p>\n\n\n\n

Poster-Session (17:15\u201318:00)<\/h4>\n\n\n\n

\ud83d\udcca From \u201cExhumation\u201d to \u201cExigency\u201d: A Historical Perspective on the Intention Behind Alessandro Parisotti\u2019s Arie Antiche and Its Reception in Vocal Pedagogy
Hazal Akyaz (Linz)
Download Poster<\/a><\/p>\n\n\n\n

\ud83d\udcca Von klugen Jungfrauen, m\u00e4chtigen Weibern und dem Tod. Das ikonographische Programm des Chorbuchs Mus.ms. C (Bayerische Staatsbibliothek M\u00fcnchen)
Matthias Guschelbauer (Wien)
Download Poster<\/a><\/p>\n\n\n\n

\ud83d\udcca Lindgezwitscher \u2013 Jenny Linds Wien-Aufenthalte im Spiegel der zeitgen\u00f6ssischen Presse digital pr\u00e4sentiert
Jakob Leitner (Graz)
Download Poster<\/a><\/p>\n\n\n\n

\ud83d\udcca Authentizit\u00e4tsstrategie \u2013 Der Fall des japanischen Mangas Mademoiselle Mozart
Akiko Yamada (Wien)<\/p>\n\n\n\n

\ud83d\udcca Wagner-Reflexionen in Bernhard Langs ParZeFool
Cornelia Picej (Graz)
Download Poster<\/a><\/p>\n\n\n\n

\ud83d\udcca AN:klang (\u00dcberblick \u00fcber die Ausgabe 2024<\/a>)
AG „Forschen & Publizieren“
Download Poster<\/a><\/p>\n\n\n\n

\ud83d\udcca JuMuWi Student Research Group: Die Rezeption von Felix Woyrschs Totentanz<\/em> in \u00d6sterreich
Akyaz Hazal & Cornelia Picej
Download Poster<\/a>
Die hier vorgestellten Ergebnisse wurden im Rahmen einer Student Research Group<\/a> der Jungen Musikwissenschaft erarbeitet.<\/em><\/p>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

18. Oktober 2024, Universit\u00e4t Mozarteum Salzburg im Rahmen der \u00d6GMw-Jahrestagung 2024„Demokratie \u2013 Materialisierung in und durch Musik“17.\u201319. Oktober 2024, Universit\u00e4t Mozarteum SalzburgProgramm (Junge Musikwissenschaft auf S. 16\u201324)Link zur Tagungswebsite Session […]<\/p>\n","protected":false},"author":31,"featured_media":0,"parent":306,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-1458","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/pages\/1458","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/users\/31"}],"replies":[{"embeddable":true,"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/comments?post=1458"}],"version-history":[{"count":10,"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/pages\/1458\/revisions"}],"predecessor-version":[{"id":1596,"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/pages\/1458\/revisions\/1596"}],"up":[{"embeddable":true,"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/pages\/306"}],"wp:attachment":[{"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/media?parent=1458"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}