{"id":2114,"date":"2025-11-10T18:00:46","date_gmt":"2025-11-10T17:00:46","guid":{"rendered":"https:\/\/oegmw.at\/?page_id=2114"},"modified":"2025-12-03T19:43:48","modified_gmt":"2025-12-03T18:43:48","slug":"sym-2025","status":"publish","type":"page","link":"https:\/\/oegmw.at\/en\/junge-musikwissenschaft\/nachwuchssymposium\/sym-2025","title":{"rendered":"Symposium der Jungen Musikwissenschaft 2025"},"content":{"rendered":"<p>14. November 2025, Anton Bruckner Privatuniversit\u00e4t Linz<\/p>\n\n\n\n<p>im Rahmen der \u00d6GMw-Jahrestagung 2025<br>&#8222;Vergessen und Erinnern \u2013 \u00dcber Ged\u00e4chtnis und Ged\u00e4chtniskulturen von Musik&#8220;<br>13.\u201315. November 2025, Anton Bruckner Privatuniversit\u00e4t Linz<br><a href=\"https:\/\/oegmw.at\/wp-content\/uploads\/2025\/11\/2025_11_05_OGMw_Conference_Schedule_and_Book_of_Abstracts.pdf\" data-type=\"link\" data-id=\"https:\/\/oegmw.at\/wp-content\/uploads\/2025\/11\/2025_11_05_OGMw_Conference_Schedule_and_Book_of_Abstracts.pdf\">Programm<\/a> (Junge Musikwissenschaft S. 25\u201339)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Panel A (14:00\u201315:30)<\/h4>\n\n\n\n<p>Chair: Raphaela Viehb\u00f6ck<\/p>\n\n\n\n<p>\ud83d\udde3\ufe0f \u201eSontag-Fieber&#8220; \u2013 Starkult der Operns\u00e4ngerin Henriette Sontag<br>Stefanie Stindl-Liang<\/p>\n\n\n\n<p>\ud83d\udde3\ufe0f Music and Remembering: Rediscovering Forgotten Repertoires in Late 19th-Century Italy<br>Hazal Akyaz<\/p>\n\n\n\n<p>\ud83d\udde3\ufe0f Unbequem, umstritten, ausgezeichnet: Die Grazer Oper im Wandel der 1990er-Jahre<br>Nicolas M\u00fcller-Lorenz<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Poster-Session (15:45\u201316:15)<\/h4>\n\n\n\n<p>\ud83d\udcca Die Oper als Instrument repr\u00e4sentativer Wechselwirkung zwischen dynastischem Zeremoniell und st\u00e4dtischem B\u00fcrgertum am Beispiel der alten Kr\u00f6nungsstadt Pressburg (Bratislava)<br>Maximilian B\u00f6hm<br><strong><a href=\"https:\/\/oegmw.at\/wp-content\/uploads\/2025\/12\/Boehm_Poster-2025.pdf\">Ansicht Poster (PDF)<\/a><\/strong><\/p>\n\n\n\n<p>\ud83d\udcca Reflection and Remembering: Tan Dun&#8217;s 12 Sounds of Wuhan<br>Yangke Li<br><strong><a href=\"https:\/\/oegmw.at\/wp-content\/uploads\/2025\/12\/Yangke-Li_JuMuWi_Poster-2025.pdf\">Ansicht Poster (PDF)<\/a><\/strong><\/p>\n\n\n\n<p>\ud83d\udcca Verbesserung der Prosodie in der Ausf\u00fchrung italienischer Rezitative<br>Marco Micheletti<br><strong><a href=\"https:\/\/oegmw.at\/wp-content\/uploads\/2025\/12\/Micheletti_Poster-2025.pdf\">Ansicht Poster (PDF)<\/a><\/strong><\/p>\n\n\n\n<p>\ud83d\udcca Die verbindende Kraft der Musik? Erfahrungen internationaler Musiker:innen in Innsbruck<br>Amber Sara Treml, Magdalena Schuhmayer, Valentina Schermer, Meygol Rabiei, Konstantin Benedikt Mayer<br><a href=\"https:\/\/oegmw.at\/wp-content\/uploads\/2025\/12\/Treml_Die-verbindende-Kraft-der-Musik_Poster-2025.pdf\"><strong>Ansicht Poster (PDF)<\/strong> <\/a><\/p>\n\n\n\n<p>\ud83d\udcca Beham \u2013 Burgkmair \u2013 Holbein \u2013 Weiditz: The Printed Models for the Illuminations in Choirbook Mus.ms.C<br>Matthias Guschelbauer<br><strong><a href=\"https:\/\/oegmw.at\/wp-content\/uploads\/2025\/12\/Guschelbauer_Poster-2025.pdf\">Ansicht Poster (PDF)<\/a><\/strong><\/p>\n\n\n\n<p>\ud83d\udcca (Unsichtbare) Politische Immanenz in musikalischen Performances. Musik, Atmosph\u00e4re und Politik in Konzerterfahrungen von Wiener K\u00fcnstler:innen<br>Tessa Balser-Schuhmann<br><strong><a href=\"https:\/\/oegmw.at\/wp-content\/uploads\/2025\/12\/Balser-Schuhmann_Poster_JuMuWi2025.pdf\">Ansicht Poster (PDF)<\/a><\/strong><\/p>\n\n\n\n<p>\ud83d\udcca AN:klang: Pr\u00e4sentation der Ausgabe 2025<br>Cornelia Picej, Stefanie Stindl-Liang, Paul Heidegger<br><strong><a href=\"https:\/\/oegmw.at\/wp-content\/uploads\/2025\/12\/ANklang_Poster-2025.pdf\">Ansicht Poster (PDF)<\/a><\/strong><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Panel B (16:30\u201318:00)<\/h4>\n\n\n\n<p>Chair: Erin Lupardus<\/p>\n\n\n\n<p>\ud83d\udde3\ufe0f Sonorous Richness and Cynicism: A Case Study of Alkan\u2019s Compositional Style<br>Ari Rabenu<\/p>\n\n\n\n<p>\ud83d\udde3\ufe0f Violin in Iran: Cultural integration and Musical Innovation Through the Artistry of Abolhasan Saba, Ali Tajvidi and Parviz Yahaqi<br>Parmis Rahmani<\/p>\n\n\n\n<p>\ud83d\udde3\ufe0f Gesang und Stimme im deutschsprachigen popul\u00e4ren Musiktheater 1933\u20131945<br>Julia Elisabeth Anna Heiler<\/p>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>14. November 2025, Anton Bruckner Privatuniversit\u00e4t Linz im Rahmen der \u00d6GMw-Jahrestagung 2025&#8222;Vergessen und Erinnern \u2013 \u00dcber Ged\u00e4chtnis und Ged\u00e4chtniskulturen von Musik&#8220;13.\u201315. November 2025, Anton Bruckner Privatuniversit\u00e4t LinzProgramm (Junge Musikwissenschaft S. [&hellip;]<\/p>\n","protected":false},"author":31,"featured_media":0,"parent":306,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2114","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/pages\/2114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/users\/31"}],"replies":[{"embeddable":true,"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/comments?post=2114"}],"version-history":[{"count":4,"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/pages\/2114\/revisions"}],"predecessor-version":[{"id":2204,"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/pages\/2114\/revisions\/2204"}],"up":[{"embeddable":true,"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/pages\/306"}],"wp:attachment":[{"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/media?parent=2114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}