{"id":906,"date":"2024-02-19T08:05:17","date_gmt":"2024-02-19T08:05:17","guid":{"rendered":"https:\/\/oegmw.at\/?post_type=tribe_events&p=906"},"modified":"2024-02-19T08:05:17","modified_gmt":"2024-02-19T08:05:17","slug":"gastvortrag-horst-weber-neue-musik-in-zeiten-des-krieges-italien-zwischen-faschismus-und-resistenza","status":"publish","type":"tribe_events","link":"https:\/\/oegmw.at\/en\/veranstaltung\/gastvortrag-horst-weber-neue-musik-in-zeiten-des-krieges-italien-zwischen-faschismus-und-resistenza","title":{"rendered":"Gastvortrag | Horst Weber \u2013 Neue Musik in Zeiten des Krieges. Italien zwischen Faschismus und Resistenza"},"content":{"rendered":"

Die Resistenza war, wenn nicht milit\u00e4risch, so doch politisch ein Erfolg f\u00fcr Italien; sie gab dem Land nach dem Krieg seine Selbstachtung zur\u00fcck. In diesen Prozess waren auch Komponisten involviert, nicht nur durch die Vertonung von Texten, die Metaphern des Widerstands waren, sondern auch durch die Technik des Komponierens selbst. Den Wechsel vom kanonischen zum reihengebundenen Tonsatz trieben vor allem Luigi Dallapiccola, Bruno Maderna und Luigi Nono voran und lieferten damit ein zentrales Narrativ f\u00fcr die Musik der Nachkriegszeit: die Parallele von politischem und musikalischem Fortschritt, letztlich von Sozialismus und Dodekaphonie. Wie der Mythos der ‚Resistenza‘ seit den neunziger Jahren auf dem Pr\u00fcfstand steht, so ist auch die ‚Meistererz\u00e4hlung‘ der italienischen Avantgarde kritisch zu hinterfragen.<\/p>\n

Horst Weber<\/strong>, geboren 1944 in Koblenz, studierte 1962\u201368 in Wien Theaterwissenschaft, Musikwissenschaft und Dirigieren an der Universit\u00e4t bzw. an der heutigen MDW. 1975\u201378 war er Assistent an der Universit\u00e4t Bonn, 1978\u20132010 Professor f\u00fcr Musikwissenschaft an der Folkwang Universit\u00e4t der K\u00fcnste in Essen. Schwerpunkte seiner Forschung sind die Musik der Mozart-Zeit und der Wiener Moderne sowie Musik in der Emigration. 2011\u201312 hatte er eine Gastprofessur an der MDW inne.
\nPublikationen (Auswahl): Alexander Zemlinsky. Eine Studie<\/em>, Wien 1977; Alexander Zemlinsky. Briefwechsel mit Sch\u00f6nberg, Webern, Berg und Schreker<\/em>, Darmstadt 1995; Quellen zur Geschichte emigrierter Musiker 1933\u20131950<\/em>, Bd. 1: Kalifornien<\/em>, M\u00fcnchen. 2003, Bd. 2: New York<\/em>, M\u00fcnchen 2005; \u201eI am not a hero, I am a composer\u201c. Hanns Eisler in Hollywood<\/em>, Hildesheim 2012.<\/p>\n

Die Veranstaltungsreihe \u00bbMusic, Culture & Politics in Central Europe. Historical Perspectives\u00ab versteht sich als Forum f\u00fcr aktuelle Forschungen zum Musikleben in dieser geografisch und politisch, aber auch kulturell und sozial hybriden Region.<\/p>\n

Organisation: Fritz Tr\u00fcmpi<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Die Resistenza war, wenn nicht milit\u00e4risch, so doch politisch ein Erfolg f\u00fcr Italien; sie gab dem Land nach dem Krieg seine Selbstachtung zur\u00fcck. In diesen Prozess waren auch Komponisten involviert, […]<\/p>\n","protected":false},"author":30,"featured_media":0,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[47,44,46,48,45,43],"tribe_events_cat":[12],"class_list":["post-906","tribe_events","type-tribe_events","status-publish","hentry","tag-dallapiccola","tag-italien","tag-maderna","tag-neue-musik","tag-nono","tag-resistenza","tribe_events_cat-gastvortrag","cat_gastvortrag"],"_links":{"self":[{"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/tribe_events\/906","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/users\/30"}],"version-history":[{"count":1,"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/tribe_events\/906\/revisions"}],"predecessor-version":[{"id":907,"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/tribe_events\/906\/revisions\/907"}],"wp:attachment":[{"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/media?parent=906"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/tags?post=906"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/oegmw.at\/en\/wp-json\/wp\/v2\/tribe_events_cat?post=906"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}