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X-WR-CALDESC:Veranstaltungen für Österreichische Gesellschaft für Musikwissenschaft
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DTSTART;TZID=Europe/Vienna:20250317T193000
DTEND;TZID=Europe/Vienna:20250317T210000
DTSTAMP:20260409T232248
CREATED:20250311T121716Z
LAST-MODIFIED:20250311T121716Z
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SUMMARY:Guest Lecture | Raquel Campos: Inequality by Design: Music Streaming Taxonomies as Ruinous Infrastructure
DESCRIPTION:Institut für Musikwissenschaft\, Spitalgasse 2\, Hof 9\, 1090 Wien\, Hörsaal 1 \nHerzliche Einladung zum Gastvortrag von Raquel Campos\, University of Leeds. \nDespite recent efforts to understand streaming classification and recommendation (Maasø & Spilker 2022; Hesmondhalgh et al. 2023) it is still unclear which musical taxonomies are used by music streaming platforms to populate their audiovisual libraries. Previous research shows how the corporate culture of each platform and the understandings of music and genre of their employees influence streaming design (Seaver 2022). Streaming platforms have also not adopted established notions of common good used by public service media (Ferraro et al. 2022). However\, research on music genre that dealt with issues of commercialisation of so-called ‘world music’ (Kassabian 2004)\, does not have continuity after the streaming boom. This paper analyses the ways in which music streaming taxonomies favour Western imaginings of popular music. It explores the ideologies behind musical taxonomies as digital infrastructures\, and their role in prescribing and reproducing ways of thinking about music. It outlines initial research results on music classification\, to understand how streaming platforms organise musical experience\, including structures of recommendation\, and dynamics of discovery and exploration. It does so through data collected via discourse analysis of marketing materials about curation\, platform and interface analysis of genre representation and organisation\, and fieldwork at music industry conferences\, including interviews with industry stakeholders and workers. I conclude by providing an anthropological reading of digital infrastructure where human discourse and material structures are intertwined in the production of musical values\, arguing that music streaming taxonomies are better understood as ruinous infrastructures (Appel\, Anand and Gupta 2018). These infrastructures promise to advance normative notions of common good\, access\, inclusion\, equality\, and democratisation but instead fail to deliver these potentials.
URL:https://oegmw.at/veranstaltung/guest-lecture-raquel-campos-inequality-by-design-music-streaming-taxonomies-as-ruinous-infrastructure
LOCATION:Institut für Musikwissenschaft Wien\, Spitalgasse 2-4\, Wien\, Wien\, 1090\, Österreich
CATEGORIES:Gastvortrag
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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250324T193000
DTEND;TZID=Europe/Vienna:20250324T210000
DTSTAMP:20260409T232248
CREATED:20250227T074649Z
LAST-MODIFIED:20250227T074649Z
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SUMMARY:Guest Lecture | Anne W. Robertson: A Mass Cycle for All Seasons: The So-Called Naples Masses in the Burgundian Court
DESCRIPTION:Institut für Musikwissenschaft\, Spitalgasse 2\, Hof 9\, 1090 Wien\, Hörsaal 1 \nHerzliche Einladung zum Gastvortrag von Anne W. Robertson\, University of Chicago. \nThe cycle of six masses from Burgundy based on the L’Homme armé melody is preserved in an exceptional manuscript now found in Naples (Bibl. Naz. MS VI.E.40). These works unfold on a grand scale: six closely interrelated\, interlocked masses that rest on an immense scaffold of text and melody and\, as we will see\, on a well-defined liturgical and typological framework. A fresh look at these masses\, drawing on books of liturgy\, spirituality\, and art that were copied\, translated\, and illuminated for Dukes Philip the Good (1419–67) and Charles the Bold (1467–77) of Burgundy\, offers a new understanding of these works and of the wider Armed Man tradition.
URL:https://oegmw.at/veranstaltung/guest-lecture-anne-w-robertson-a-mass-cycle-for-all-seasons-the-so-called-naples-masses-in-the-burgundian-court
LOCATION:Institut für Musikwissenschaft Wien\, Spitalgasse 2-4\, Wien\, Wien\, 1090\, Österreich
CATEGORIES:Gastvortrag
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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250326T190000
DTEND;TZID=Europe/Vienna:20250326T203000
DTSTAMP:20260409T232248
CREATED:20250212T124934Z
LAST-MODIFIED:20250212T125820Z
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SUMMARY:Gastvortrag | Lana Šehović: Female Identities in the Musical Life of Bosnia and Herzegovina in the 19th and Early 20th Centuries
DESCRIPTION:The lecture will provide a detailed analysis of the diverse aspects of the expression of female identities in the private and public space of Bosnian musical life during the Austro-Hungarian rule. The lecture offers a unique research perspective by focusing on female identities through two spheres: the private sphere (music-making in the salon) and the public sphere (amateur and professional activities). This classification facilitates the analysis of diverse kinds of musical activities\, while examining women’s position in the family circle\, girls’ music education\, salon socializing as well as musical gatherings. The lecture thus provides a comprehensive overview of the representation and significance of women’s activities in cultural-educational\, support and amateur music societies\, music pedagogy\, composing\, and music publishing. The lecture also discusses the role of numerous female artists who shaped individual segments of Bosnian and Herzegovinian musical life in diverse ways and thus paved the way for the institutional development of Sarajevo’s musical culture in the Austro-Hungarian period. Lana Šehović’s reconstruction of significant segments of the musical life in Austro-Hungarian Bosnia and Herzegovina is based on primary sources that were previously unknown in BiH musicology. She employs a gender studies-based methodological approach. \nLana Šehović is a musicologist\, musical writer and musical publicist. She graduated in Musicology at the Academy of Music\, University of Sarajevo where she received her PhD in 2014. Her research focuses on music historiography\, gender musicology\, music journalism and criticism. She is currently working as an Associate Professor at the Academy of Music (Department of Musicology and Ethnomusicology)\, and since 2017 she has been the Head of the Department. She has published extensively\, with over 40 papers appearing in musicological publications in both the country and the region. In 2019\, she published a book entitled Female Identities in the Musical Life of Austro-Hungarian Sarajevo\, which is the first monograph in BiH musicology dealing with the position and significance of women in music and musical life. In 2021 she was elected as the National Coordinator of Bosnia and Herzegovina for the DARIAH-EU digital research infrastructure for the Arts and Humanities. \nMusic\, Culture & Politics in Central Europe. Historical Perspectives #13\nDie Veranstaltungsreihe »Music\, Culture & Politics in Central Europe. Historical Perspectives« versteht sich als Forum für aktuelle Forschungen zum Musikleben in dieser geografisch und politisch\, aber auch kulturell und sozial hybriden Region. \nOrganisation: Fritz Trümpi \nDer Vortrag findet in der Seilerstätte 26\, 1010 Wien\, im Seminarraum A0101 statt.
URL:https://oegmw.at/veranstaltung/gastvortrag-lana-sehovic-female-identities-in-the-musical-life-of-bosnia-and-herzegovina-in-the-19th-and-early-20th-centuries
LOCATION:Institut für Musikwissenschaft und Interpretationsforschung an der mdw\, Seilerstätte 26\, Wien\, 1010\, Österreich
CATEGORIES:Gastvortrag
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DTSTART;TZID=Europe/Vienna:20250331T184500
DTEND;TZID=Europe/Vienna:20250331T220000
DTSTAMP:20260409T232248
CREATED:20250304T085443Z
LAST-MODIFIED:20250304T085443Z
UID:1798-1743446700-1743458400@oegmw.at
SUMMARY:Workshop | Perspektiven der Beethoven-Forschung
DESCRIPTION:Institut für Musikwissenschaft\, Spitalgasse 2\, Hof 9\, 1090 Wien\, Hörsaal 1 \nProgramm: \n\n16:45 bis 17:00 Uhr: Birgit Lodes\, Begrüßung und Einleitung\n17:00 bis 17:45 Uhr: Vortrag Francesco Fontanelli: Beethovens ‚Beziehungszauber‘: Satzverknüpfungsstrategien in den Skizzen zum Quartett Op. 127\n17:45 bis 18:15 Uhr: Diskussion\nKurze Pause\n18:30 bis 19:15 Uhr: Vortrag Jürgen May: „Beethoven“ und die „Zivilisierung“ des „ungezähmten Afrika“\n19:15 bis 19:45 Uhr: Diskussion\nSchlussworte\n\nHerzliche Einladung!
URL:https://oegmw.at/veranstaltung/workshop-perspektiven-der-beethoven-forschung
LOCATION:Institut für Musikwissenschaft Wien\, Spitalgasse 2-4\, Wien\, Wien\, 1090\, Österreich
CATEGORIES:Workshop
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