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X-WR-CALNAME:Österreichische Gesellschaft für Musikwissenschaft
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X-WR-CALDESC:Veranstaltungen für Österreichische Gesellschaft für Musikwissenschaft
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DTSTART;TZID=Europe/Vienna:20261005T183000
DTEND;TZID=Europe/Vienna:20261005T203000
DTSTAMP:20260928T130052Z
CREATED:20260923T081853Z
LAST-MODIFIED:20260928T130052Z
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SUMMARY:Verleihungsveranstaltung | Verleihung des Goldenen Doktorates in memoriam an Gerald Messner
DESCRIPTION:Herzliche Einladung zur Verleihung! \nIm Sommersemester 2026 hat der Senat der Universität Wien beschlossen\, Gerald Florian Messner\, der 1976 an der Universität Wien seine Dissertation im Fach Musikwissenschaft abgeschlossen hat\, das Goldene Doktorat zu verleihen. Leider ist er am 2. Juni 2026 verstorben und konnte diese Ehrung nicht mehr persönlich entgegennehmen. \nDas Institut für Musikwissenschaft veranstaltet daher eine Verleihung des Goldenen Doktorats in memoriam. Die Feier soll zugleich Gelegenheit bieten\, Gerald Florian Messner als eine vielseitige Künstlerpersönlichkeit zu würdigen\, deren Wirken weit über die Musikwissenschaft hinausreichte: Er war auch als Komponist\, Lyriker\, Schauspieler\, Maler und Regisseur tätig. \nEnglish Version: \nIn the summer semester of 2026\, the Senate of the University of Vienna decided to confer the Golden Doctorate upon Gerald Florian Messner\, who completed his doctoral dissertation in Musicology at the University of Vienna in 1976. Sadly\, he passed away on 2 June 2026 and it was not possible to give him this distinction in person. \nThe Department of Musicology will therefore hold a ceremony to confer the Golden Doctorate in memoriam. The event will also provide an opportunity to honour Gerald Florian Messner as a remarkably versatile artistic personality whose work extended far beyond the field of musicology. He was also active as a composer\, poet\, actor\, painter\, and director.
URL:https://oegmw.at/veranstaltung/verleihungsveranstaltung-verleihung-des-goldenen-doktorates-in-memoriam-an-gerald-messner
LOCATION:Institut für Musikwissenschaft Wien\, Spitalgasse 2-4\, Wien\, Wien\, 1090\, Österreich
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DTSTART;TZID=Europe/Vienna:20261016T183000
DTEND;TZID=Europe/Vienna:20261016T203000
DTSTAMP:20261007T111128Z
CREATED:20261004T104728Z
LAST-MODIFIED:20261007T111128Z
UID:2696-1792175400-1792182600@oegmw.at
SUMMARY:Buchpräsentation |  Prof. David Brodbeck (UC Irvine\, USA):  „Rethinking Brahms's ‚Political Music'"
DESCRIPTION:Abstract\nAlthough Johannes Brahms always kept himself well informed on the political issues of his day\, he only rarely engaged these issues in his music. In my new book\, Brahms Patriotic and Political\, I offer a revisionary—and I hope rehabilitative—interpretation of the only three works in which contemporary sociopolitical matters stand very much to the fore. The first is a little-known set of Fünf Lieder für Männerchor\, Brahms’s only essay in a genre that had been a prime medium for the expression of liberal-nationalist sentiment dating back to the years of Napoleonic domination of the German lands. The second is the Triumphlied\, a massive choral-orchestral setting of biblical texts culled from the Book of Revelation\, in which Brahms celebrated the German victory in the Deutsch-Französischer Krieg and the ensuing foundation of the German Reich. And the third is the Fest- und Gedenksprüche\, three short settings of biblical verses for double choir a cappella that represents Brahms’s later contribution to the necessary project of instilling in the diverse German peoples a genuine sense of national belonging. I call into question the widespread belief that some of this music evinces embarrassing anticipations of later German militarism\, jingoism\, and national chauvinism. In this talk I highlight a few key points about each of these three “political works” by way of showing how an expansive examination of the historical contexts in which they were composed can reshape the way we have come to think about Brahms’s patriotic and political sensibilities.
URL:https://oegmw.at/veranstaltung/buchpraesentation-prof-david-brodbeck-uc-irvine-usa-rethinking-brahmss-political-music
LOCATION:Institut für Musikwissenschaft Wien\, Spitalgasse 2-4\, Wien\, Wien\, 1090\, Österreich
CATEGORIES:Buchpräsentation
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DTSTART;VALUE=DATE:20261022
DTEND;VALUE=DATE:20261025
DTSTAMP:20260909T170223Z
CREATED:20260909T095459Z
LAST-MODIFIED:20260909T170223Z
UID:2659-1792627200-1792886399@oegmw.at
SUMMARY:Rhythm under the Microscope II: An Interdisciplinary Conference on Microrhythm and Tempo Variability in Popular Music
DESCRIPTION:In September 2024\, scholars gathered at the University of Music and Performing Arts Vienna for Rhythm Under the Microscope\, a conference examining microrhythm and groove in popular music. Keynote speakers Anne Danielsen and Justin London explored the effects of a variety of parameters on the perception of microrhythm as well as the relationship between rhythm and microtiming. Other paper presentations and workshops further examined aspects of timing\, groove\, and aesthetics. \nRhythm Under the Microscope II is a sequel to the 2024 conference\, providing an opportunity for renewed study of microrhythm\, including scholarly advances since the first conference\, but also opening up to discussions of tempo variability. The conference seeks to bring together musicians and scholars from various disciplines to connect their different perspectives and further the current state of microrhythm\, tempo variability\, and groove research. \nParticipation is free of charge\, but registration is required: https://ipop.at/rhythm/
URL:https://oegmw.at/veranstaltung/rhythm-under-the-microscope-ii-an-interdisciplinary-conference-on-microrhythm-and-tempo-variability-in-popular-music
LOCATION:mdw – Universität für Musik und darstellende Kunst Wien\, Joseph Haydn – Saal\, Anton-von-Webern-Platz 1\, Wien\, Wien\, 1030\, Austria
CATEGORIES:Konferenz
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DTSTART;TZID=Europe/Vienna:20261029T183000
DTEND;TZID=Europe/Vienna:20261029T200000
DTSTAMP:20260902T172245Z
CREATED:20260902T172245Z
LAST-MODIFIED:20260902T172245Z
UID:2662-1793298600-1793304000@oegmw.at
SUMMARY:Gastvortrag | Quynh Trinh Nguyen-Koschera (Universität Heidelberg): "Neurobehavioral Coordination in Live Mother–Infant Musical Interactions"
DESCRIPTION:“Neurobehavioral Coordination in Live Mother–Infant Musical Interactions” \n\n\nMusical interactions support early social connection\, yet the behavioral and neural mechanisms underlying this process in live caregiver–infant settings remain incompletely understood. This talk integrates evidence on how the quality and communicative function of musical engagement shape mother–infant coordination across the first postnatal year. \nUsing EEG hyperscanning in 84 mother–infant dyads assessed at 3\, 6\, and 12 months\, we examined live music-box play during natural free play\, maternal gaze aversion\, and temporally shuffled music. Disrupting the natural interaction altered maternal tempo\, attenuated infant neural responses\, and reduced interpersonal neural synchrony\, whereas synchrony was consistently highest during natural musical free play. \nComplementing these neural findings\, 3D motion-capture recordings of mothers interacting with their infants revealed function-specific movement patterns during infant-directed music: side-to-side swaying characterized lullabies\, while vertical bouncing characterized playsongs. These patterns could not be explained by tempo alone\, were amplified by infants’ presence\, generalized across Italian and Canadian samples\, and allowed adult observers from diverse cultures to infer song function from movement alone. \nTogether\, these findings show that naturalistic musical interaction coordinates caregiver and infant behaviour and interpersonal communication. They highlight music and movement as integrated channels through which caregivers scaffold infants’ early social and developmental experiences.
URL:https://oegmw.at/veranstaltung/gastvortrag-quynh-trinh-nguyen-koschera-universitaet-heidelberg-neurobehavioral-coordination-in-live-mother-infant-musical-interactions
LOCATION:Institut für Musikwissenschaft Wien\, Spitalgasse 2-4\, Wien\, Wien\, 1090\, Österreich
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