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X-WR-CALDESC:Veranstaltungen für Österreichische Gesellschaft für Musikwissenschaft
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DTSTART;VALUE=DATE:20261022
DTEND;VALUE=DATE:20261025
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LAST-MODIFIED:20260909T170223Z
UID:2659-1792627200-1792886399@oegmw.at
SUMMARY:Rhythm under the Microscope II: An Interdisciplinary Conference on Microrhythm and Tempo Variability in Popular Music
DESCRIPTION:In September 2024\, scholars gathered at the University of Music and Performing Arts Vienna for Rhythm Under the Microscope\, a conference examining microrhythm and groove in popular music. Keynote speakers Anne Danielsen and Justin London explored the effects of a variety of parameters on the perception of microrhythm as well as the relationship between rhythm and microtiming. Other paper presentations and workshops further examined aspects of timing\, groove\, and aesthetics. \nRhythm Under the Microscope II is a sequel to the 2024 conference\, providing an opportunity for renewed study of microrhythm\, including scholarly advances since the first conference\, but also opening up to discussions of tempo variability. The conference seeks to bring together musicians and scholars from various disciplines to connect their different perspectives and further the current state of microrhythm\, tempo variability\, and groove research. \nParticipation is free of charge\, but registration is required: https://ipop.at/rhythm/
URL:https://oegmw.at/veranstaltung/rhythm-under-the-microscope-ii-an-interdisciplinary-conference-on-microrhythm-and-tempo-variability-in-popular-music
LOCATION:mdw – Universität für Musik und darstellende Kunst Wien\, Joseph Haydn – Saal\, Anton-von-Webern-Platz 1\, Wien\, Wien\, 1030\, Austria
CATEGORIES:Konferenz
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DTSTART;TZID=Europe/Vienna:20261022T180000
DTEND;TZID=Europe/Vienna:20261022T193000
DTSTAMP:20260928T125700Z
CREATED:20260928T103442Z
LAST-MODIFIED:20260928T125700Z
UID:2688-1792692000-1792697400@oegmw.at
SUMMARY:Gastvortrag | Marie-Hélène Benoit-Otis: Musik\, Politik und Digital Humanities: Eine virtuelle Ausstellung zu Widerstandsliedern in Nazi-Gefängnissen
DESCRIPTION:Zeit: 18:00 Uhr\nOrt: IMI\, Seminarraum A0201 | Seilerstätte 26\, 1010 Wien \nWie können alternative Formate\, etwa (virtuelle) Ausstellungen oder multimediale Webseiten\, einen spezifischen Beitrag zur Erforschung der politischen Funktionen von Musik leisten? Dieser Vortrag untersucht diese Frage anhand der virtuellen Ausstellung To the Tune of Freedom: Women’s Resistance Songs in Nazi Prisons (2025\, englische Übersetzung 2026). Entstanden im Rahmen eines Forschungsprojektes zu einem bisher kaum beachteten Liederbuch\, das unmittelbar nach dem Krieg von der Bibliothekarin und Widerstandskämpferin Yvonne Oddon gesammelt wurde\, zeigt diese Ausstellung\, wie zentral das multimediale Format für die Forschungsmethodik sein kann – indem es erlaubt\, durch musikalische Rekonstruktion\, professionelle Aufnahme und digitale Publikation bisher unerhörte Lieder zum Leben zu bringen. \nMarie-Hélène Benoit-Otis ist Professorin für Musikwissenschaft an der Université de Montréal und Inhaberin des Canada Research Chair in Music and Politics. Zusammen mit Cécile Quesney hat sie kürzlich das Buch The Mozart Week of the German Reich: Nazi Propaganda and Franco-German Relations in 1941 veröffentlicht (University of Rochester Press\, 2026; Übersetzung aus dem Französischen: Stacey Brown). \nMusic\, Culture & Politics in Central Europe. Historical Perspectives #16\nDie Veranstaltungsreihe “Music\, Culture & Politics in Central Europe. Historical Perspectives” versteht sich als Forum für aktuelle Forschungen zum Musikleben in dieser geografisch und politisch\, aber auch kulturell und sozial hybriden Region. \nOrganisation: Fritz Trümpi
URL:https://oegmw.at/veranstaltung/gastvortrag-marie-helene-benoit-otis-musik-politik-und-digital-humanities-eine-virtuelle-ausstellung-zu-widerstandsliedern-in-nazi-gefaengnissen
LOCATION:Institut für Musikwissenschaft und Interpretationsforschung an der mdw\, Seilerstätte 26\, Wien\, 1010\, Österreich
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DTSTART;TZID=Europe/Vienna:20261029T183000
DTEND;TZID=Europe/Vienna:20261029T200000
DTSTAMP:20260902T172245Z
CREATED:20260902T172245Z
LAST-MODIFIED:20260902T172245Z
UID:2662-1793298600-1793304000@oegmw.at
SUMMARY:Gastvortrag | Quynh Trinh Nguyen-Koschera (Universität Heidelberg): "Neurobehavioral Coordination in Live Mother–Infant Musical Interactions"
DESCRIPTION:“Neurobehavioral Coordination in Live Mother–Infant Musical Interactions” \n\n\nMusical interactions support early social connection\, yet the behavioral and neural mechanisms underlying this process in live caregiver–infant settings remain incompletely understood. This talk integrates evidence on how the quality and communicative function of musical engagement shape mother–infant coordination across the first postnatal year. \nUsing EEG hyperscanning in 84 mother–infant dyads assessed at 3\, 6\, and 12 months\, we examined live music-box play during natural free play\, maternal gaze aversion\, and temporally shuffled music. Disrupting the natural interaction altered maternal tempo\, attenuated infant neural responses\, and reduced interpersonal neural synchrony\, whereas synchrony was consistently highest during natural musical free play. \nComplementing these neural findings\, 3D motion-capture recordings of mothers interacting with their infants revealed function-specific movement patterns during infant-directed music: side-to-side swaying characterized lullabies\, while vertical bouncing characterized playsongs. These patterns could not be explained by tempo alone\, were amplified by infants’ presence\, generalized across Italian and Canadian samples\, and allowed adult observers from diverse cultures to infer song function from movement alone. \nTogether\, these findings show that naturalistic musical interaction coordinates caregiver and infant behaviour and interpersonal communication. They highlight music and movement as integrated channels through which caregivers scaffold infants’ early social and developmental experiences.
URL:https://oegmw.at/veranstaltung/gastvortrag-quynh-trinh-nguyen-koschera-universitaet-heidelberg-neurobehavioral-coordination-in-live-mother-infant-musical-interactions
LOCATION:Institut für Musikwissenschaft Wien\, Spitalgasse 2-4\, Wien\, Wien\, 1090\, Österreich
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