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In this talk, Prof. Dr. Bettina Varwig (University of Cambridge) will discuss some of her recent research on early modern modes of music making. In particular, Varwig will propose the idea of plenisentience as a basis for understanding these past musical experiences. Plenisentience posits a model of being-in-the-world in which human sense-making takes place in […] |
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In a frequently quoted letter of January 1787, Mozart reported to his friend in Vienna about a ball he had just attended in Prague, where he was delighted to have seen people ‘hopping around with sheer delight to the music of my “Figaro.” In an age before copyright, Mozart would not have received any income […] |
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Vortrag in englischer Sprache von Benjamin Levy (University of California, Santa Barbara) Im Laufe ihrer Karriere wandten sich Schönberg und Webern wiederholt unterschiedlichen China-Bildern zu. Sie folgten Mahlers Beispiel bei der Vertonung von aus dem Chinesischen übertragenen Texten, häufig entsprachen ihre Stücke den weitgefassten Konturen des Wiener Orientalismus. Manchmal stellten sie diese Narrative aber auch […] |
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